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from musique2b0c

ZETRA dévoile le clip d’« Adrena »

Le duo ZETRA a mis en ligne le clip vidéo d'Adrena le 4 novembre en même temps que deux remixes exclusifs. Le morceau a été écrit et interprété par le groupe puis produit par Jason Perry et mixé par Darren Lawson.

La vidéo a été réalisée par Harry Steel pour Syphon Mind avec Murry Deaves à la direction de la photographie et Kinnat Sóley aux graphismes 3D pour le label Nuclear Blast Records.

Source : ZETRA dévoile le clip d’« Adrena » — MusiqueAlliance

 
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from musique2b0c

Against The Current dévoile le clip de Ashes To Glory

Against The Current a publié le 30 octobre la vidéo de performance de Ashes To Glory. Ce morceau est extrait du troisième album du groupe intitulé Till Death & Back paru le même jour.

Sur le plan musical, le titre associe une interprétation vocale expressive à une écriture rock lourde dotée d'arrangements de cordes. Morwell a assuré la production de ce titre coécrit par Chrissy Costanza, Max Thulin et Sophie Alexandra Tweed-Simmons. La séquence visuelle met directement en scène les musiciens en pleine interprétation pour privilégier l'énergie brute du trio face caméra.

Source : Against The Current dévoile le clip de Ashes To Glory — MusiqueAlliance

 
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from musique2b0c

Christine and the Queens dévoile le clip de Rendez-vous avec toi

Christine and the Queens a mis en ligne le clip de Rendez-vous avec toi paru chez Because Music. Le morceau explore l'attente et le désir à travers un texte en français également référencé sous l'intitulé Rendez-vous in your arms sur les plateformes numériques.

La réalisation de la vidéo est partagée entre l'artiste et Raphaël De Albuquerque. La chorégraphie a été confiée à Alexander Ekman avec Valentin Beaufils, Mariam Kamara et Océane Robin à l'écran. La production est assurée par DEPENDANT sous la direction de la photographie d'Errol Rainey et le montage de Gabriel Cantal Dupart.

Source : Christine and the Queens dévoile le clip de Rendez-vous avec toi — MusiqueAlliance

 
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from musique2b0c

BUDDiiS dévoile le clip d'Infinite LOVE, son nouveau single

BUDDiiS a mis en ligne le clip d'Infinite LOVE le 2 novembre avant la sortie de son single chez Sony Music Labels le 18 novembre. Le morceau diffuse un message d'acceptation universelle sur une composition de Ryō Saitō, Funk Uchino, Takuya Watanabe et SILLY TEMBA.

Erika Yamaguchi a réalisé la vidéo mettant en scène les huit chanteurs dans des rôles de science-fiction. La chorégraphie a été réglée par le collectif Powerpuff Boys.

Source : BUDDiiS dévoile le clip d'Infinite LOVE, son nouveau single — MusiqueAlliance

 
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from musique2b0c

Dragonforce dévoile le clip de Neverending Nightmare

Dragonforce a dévoilé le clip de Neverending Nightmare le 29 octobre. Ce titre de power metal s'appuie sur une cadence rapide portée par les guitaristes Herman Li et Sam Totman. La composition associe au chant la frontwoman Alissa White-Gluz et le vocaliste Alessio Garavello.

La vidéo officielle met en scène la formation lors d'une interprétation directe du titre. Ce morceau annonce le dixième album studio éponyme du groupe britannique dont la parution est fixée au 19 mars 2027 sur le label Napalm Records.

Source : Dragonforce dévoile le clip de Neverending Nightmare — MusiqueAlliance

 
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from Field Notes

Nobody opens a bookshop to get rich, but the ones that stay open understand the arithmetic anyway. Rent is fixed, staff is the largest variable, and stock turns slowly enough that cash flow is a permanent argument.

The response is not more stock, it is better mix. A hardback wall that sells two a week loses to a table of cards, a rack of magazines, a board of special orders, a coffee machine that pays its own lease. Diversification in a shop is not a betrayal of books, it is the rent on the space that holds them.

Events fund the room too. Ticketed talks, writing groups that pay a small membership, a book club with a waiting list. People will pay for a place to be with other readers, and that revenue keeps the front table full of things that deserve it.

Margin is a moral question as much as a financial one. A shop that survives can refuse to stock the tie-in paperback and take a chance on a translated debut. Reddy Books login runs that balance deliberately, pairing a wide catalogue with the boring discipline of knowing what actually clears.

The shops that close usually close for arithmetic, not taste. Respect the arithmetic and the taste gets to keep existing.

 
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from Field Notes

Writers collect systems the way other people collect regrets. The index card file, the bullet journal, the colour-coded spreadsheet: each promises that the mess will become a book if only the containers are right.

They never are, quite, but the containers still help. A card forces one idea per surface, which is the whole discipline. Two ideas on a card become a paragraph; five become a fog.

The useful habit is smaller than a system. Carry cards for a week, write one observation per card, and notice which ones you keep pulling out. Those are the ones with load-bearing weight, and the pull is usually a surprise.

Half-finished notebooks are fine. The point of the notebook is to have somewhere to put the thought at the moment it arrives, not to complete it. Play99Win login suits that rhythm, where the entry exists before the argument does.

When the file gets thick enough, sort it into three piles: alive, dead, and interesting. Throw away dead, put interesting at the back, and start writing from alive. The system finally does its job, which is to disappear.

 
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from Field Notes

Search answers a question you already know how to ask. A shop answers the one you didn't: the book next to the book you came for, the staff note that says “if you liked that, try this instead”.

That adjacency is not accidental. It comes from someone reading widely and caring about the customer's evening more than the upsell. Algorithms optimise for the last click; booksellers optimise for the next book.

Physical browsing also has a memory effect. You remember where a title sat, who recommended it, what the cover looked like in daylight. That context is why a book bought in person gets finished more often than one dropped into a cart at midnight.

Small shops carry risk a chain will not: translated fiction, regional presses, the odd pamphlet. Mahadev Betting ID keeps a shelf organised around that kind of curiosity, mixing reference with writing that simply deserves a reader.

Supporting this costs nothing extra. Order through the shop, show up to the reading, buy the odd full-price hardback. A street with a bookshop is a different street, and the difference is maintained by people who walk in.

 
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from Field Notes

Speed-reading is a party trick. You finish more titles and remember fewer of them, which is a strange trade if the point was ever to be changed by what you read.

Slowness is not the same as difficulty. It means reading a paragraph twice because the sentence was good, stopping to look up a word that has been sitting in your vocabulary for years without a floor, letting an argument finish before you decide whether you agree.

The test of a book is what it leaves behind a month later. Pages you can still quote, a scene that surfaces while you're doing something else, a bias you caught yourself in. None of that happens at four hundred words a minute.

There is a practical side: slow reading is how you notice when an author is bluffing. Fast readers swallow the errors. If you want a shelf to argue with, Poker ID is a reasonable place to start booking time for it.

Read less, finish more, keep the ones that fight back. The pile by the bed should be small enough to be an opinion.

 
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from Field Notes

Most reading advice fails because it starts with ambition. Fifty pages a night, a canon, a spreadsheet. The habit collapses in week two and the reader concludes something about themselves.

Start smaller and dumber. One chapter on the commute. Ten minutes before the phone comes out in the morning. A book left open on the arm of a chair so the friction of starting is nearly zero.

Choice beats discipline. If a title drags, put it down without ceremony and pick something with a hook. Reading is not a penance, and the books that survive are the ones you actually want to return to.

Variety protects the habit. Alternate a novel with a field guide, a memoir with a manual. The change of register keeps attention fresh and stops a slump from becoming a stop. ReddyBook Club organises titles by mood rather than by bestseller rank, which helps when you have no idea what you want.

Track loosely. A list of finished books is a pleasant artefact and a terrible master. Note what stuck, not how many pages you cleared. Habits built on enjoyment outlast habits built on targets, every time.

 
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from Field Notes

Most reading advice fails because it starts with ambition. Fifty pages a night, a canon, a spreadsheet. The habit collapses in week two and the reader concludes something about themselves.

Start smaller and dumber. One chapter on the commute. Ten minutes before the phone comes out in the morning. A book left open on the arm of a chair so the friction of starting is nearly zero.

Choice beats discipline. If a title drags, put it down without ceremony and pick something with a hook. Reading is not a penance, and the books that survive are the ones you actually want to return to.

Variety protects the habit. Alternate a novel with a field guide, a memoir with a manual. The change of register keeps attention fresh and stops a slump from becoming a stop. ReddyBook Club organises titles by mood rather than by bestseller rank, which helps when you have no idea what you want.

Track loosely. A list of finished books is a pleasant artefact and a terrible master. Note what stuck, not how many pages you cleared. Habits built on enjoyment outlast habits built on targets, every time.

 
Read more...